Artist Statement, Cut-Up Style, East Side

Idiosyncratic and intuitive language unique to each participating in the world that we become a working metaphor in roles that are created for us. I am interested in art as small creatures or objects. Research using several modes of inquiry as an expression of presence and reflects the beginning idea, reconstructing common themes up to and including the direct implication of the viewer in my work, through skyscapes to an intimate unique approach. This is not a staged dance captured on film, rather within the world’s spatial relationships the moment I am interested in gets done with an effort to explore the thoughtful encaustic painting through a raw process.

My practice is an exploration of those known and unknown of relationships, time, and the interplay between created visual impacts. My work investigates painting as /////// complete with ////|||//. My intent is for the viewers, with their endless streams of prominent conversations, to document the abundant, frequently playing key roles in my work, not superimposed but instead cut, distorted. My art touches themes of investigations of well known static displays as determined by diving into their environments, rhythms, and transitions.

My practice explores relationships between figurative pieces (for the time being), how we are collectively and individually cultural unity. This is not our beloved, curiously drawn to the edge existentialism, an embodiment of our feelings at the moment of torn paper. To come back to the site of my work usually focuses on progression of the deterioration of the dimensionality. Relationships between frequent themes often include a collage of cultural histories. Connect with the work, identity and perception.

I find beauty in aspects of the universe giving powerful voice to each of the paintings and unconditional love. My compositions represent no singularity, perhaps due to the vulnerability of that ideal. I experiment with time often,

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